<p align=&#34;justify&#34;><strong>Al Kasaba Theatre and Cinematheque- Pal &#34;The Wedding&#34;</strong></p>
<p align=&#34;justify&#34;>Cast: Hanan Al Hillo, Saleh Bakri<br />Written by: Mohammed Idres<br />With a group of Tunisian Artists<br />Al Habib Al Masruke, Jalela Bakar, Al Fadel Al Jeaibe, Tawfik Al Jebale, Al Fadel Al Jazere, Mahmoud Idres<br />Adapted and Directed by: George Ibrahim<br />Set: Ibrahim Muzaien<br />Light Designer: Muaz Al Jubeh<br />Choreographer: Rabeah Morkus<br />Music: Habib Shihadeh<br />Costume: Nasifa Habash<br />Photographer: Emil Ashrawi<br />Poster+ play Brochure: Pixel Company</p>
<p align=&#34;justify&#34;>Fateh and Sarah, a couple, who live under a roof that is subject to collapse, and in a house that is under the threat of demolition at any moment ... and in a difficult social and economic reality that breaks the dreams of the young newly-wed couples, This is the main motive that moves the characters in the &#34;Wedding&#34; play.</p>
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<p align=&#34;justify&#34;><strong>Al Midan Theater- Pal &#34;Newsflash&#34;</strong></p>
<p align=&#34;justify&#34;>Cast; Shadi Fakher Al Deen, Maisara Masri, Hanan Hillo, Anat Hadid, Duraid Ledawi<br />Directed by: Amer Hlehel<br />Written by: Ala Hlehel<br />Light Designer: Firas Rubi<br />Music: Shams Teshren<br />Set and Costumes: Majdala Khoury</p>
<p align=&#34;justify&#34;>The play’s events take place in a Satire format, like the political cabaret-style. The play highlights the misery, shallowness and duplication that are associated with the lives of the Palestinian elite, and it presents topics such as: the future of youth, the relationship with the Israeli establishment, love, national positions and political and commercial opportunism, without equivocation.</p>
<p align=&#34;justify&#34;>Language: Arabic and Hebrew</p>
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<p align=&#34;justify&#34;><strong>Allaz Theater- Pal &#34;Tales of exiled&#34;</strong></p>
<p align=&#34;justify&#34;>Cast: Lana Zerak, Ehab Salamah<br />Translated adapted and directed by: Sameh Hejazi<br />Light, Music: Firas Rubi and Eias Natur<br />Set and Costumes: Nabil Duja<br />Produced by: Allaz Theater Mazen Ghattas Theater funded by A.M Qattan Foundation</p>
<p align=&#34;justify&#34;>This play is a preparation of two prose texts written by the great German dramatist and poet Bertolt Brecht, from his books &#34;Dialogues of the exiled&#34; and &#34;Mr. Koiner Stories,&#34; which he wrote during his exile from his native homeland, Germany to the Scandinavian States, that he kept moving between during the Second World War. Through these stories, Brecht was stripping and mocking fascism, through a dialogue of two German refugees who meet in a restaurant in a train station in Finland. Bricht aspired to create an enlightening theater, and he defended the love of justice and fought injustice and war in his theater, in a way that made him, nearly sixty years after his death, the most famous international author, whose plays are being shown in different parts of the world.<br />During his preparation and development of Bricht’s texts for theater,&nbsp; director Sameh Hijazi, worked on making the text suitable for the contemporary Palestinian reality, turning the texts, after the path of translation and dismantling and in-depth workshops with actors, into a fragmented Palestinian story, with no place nor time. The story of a meeting between a Palestinian educated aristocrat woman and a Palestinian wretch man who is full of vile tales&nbsp; and experiences. The two communicate and talk until their stories and meditations turn into images moving between their reality and imagination. Stories that make each viewer feel that he/she had experienced or encountered, one day.&nbsp; Their controversial discussion about their different terminology turns into a trip to various places in their homeland, which each of them is exiled within. </p>
<p align=&#34;justify&#34;>Language: Arabic</p>
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<p align=&#34;justify&#34;><strong>Al Hamra Theater- Tunisia &#34;The End&#34;</strong></p>
<p align=&#34;justify&#34;>Cast: Laila Tubal, Bahri Al Rahale, Reem Al Hamrune, Bahram Al Alawi, Osama Keshkar<br />Directed by: Ezz Al Deen Kanun<br />Script: Laila Tubal<br />Assistant Director: Hatim Buksara<br />Sound: Alia Salami<br />Characters: Seren Kanun Menae<br />Costumes: Latifa Bujah<br />Produced by: Al Hamra Theater Funded by The Ministry of Culture</p>
<p align=&#34;justify&#34;>Death knocks “Najma’s” door to give her notice that it is coming in an hour time…<br />What can she do? What can she say as she only has sixty minutes to live...?</p>
<p align=&#34;justify&#34;>The clock is ticking, she runs quickly towards the yard ... And &#34;Najma&#34; is in a high state of delirium... she recalls her memories ... She looks at her past with all the people and images in it... She provokes her present and prepares herself for the moment of farewell...</p>
<p align=&#34;justify&#34;>Language: Arabic</p>
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<p align=&#34;justify&#34;><strong>Al Lajun Theater- Pal &#34;Hertsel said&#34;</strong></p>
<p align=&#34;justify&#34;>Ghassan Abbas<br />Directed by: Munir Bakri<br />Written by: Eyad Barghuthi<br />Light: Nizar Khamra<br />Set: Tale Betshake<br />Assistant Director: Bashar Murkus</p>
<p align=&#34;justify&#34;>Khalid Majdalawi is in his fifties, he’s single and lonely, and has been a professor of history and civics for 25 years.<br />His life belongs to the books, not to himself or his feelings, and he prefers to quote others, rather than reflecting his own view of life.<br />Mr. Khalid is loyal to the book and the curriculum established by the Ministry of Education. He teaches his pupils about the Zionist movement and the history of the Jews, but in one of the days, he says something that was not stated in the curriculum, so he gets fired from his job, and his dreams of becoming the school’s principle, go with the wind.<br />In the year of 2000, Mr. Khalid meets, in his empty home, and for the first time, his history and feelings, and then meets his dead mother and father , and also meets the man working for the intelligence,&nbsp; and his girlfriend Manal, whom he’d&nbsp; lost because of his silence and fear.<br />The play is about the story of the individual and collective Palestinian persons of this country, within the borders of 1948.<br />*This play won the best actor and best play award at the Msraheed Festival, 2009 in Acre.</p>
<p align=&#34;justify&#34;>Language: Arabic</p>
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<p align=&#34;justify&#34;><strong>Oyoon Theater- Pal &#34;A sin of no-fault&#34;</strong></p>
<p align=&#34;justify&#34;>Cast: Aya Safadi, Bayan Amasha, Khould Alsaid Ahmad, Raed Shams, Ekab Al Moghrabi, Nehad Reda, Yasmine Al Kadami</p>
<p align=&#34;justify&#34;>Directed and Designed by: Amal Kais<br />Written By: Motaz Abu Saleh</p>
<p align=&#34;justify&#34;>The Play is about a family that lost their father in a car crash, and found later that this father was living an emotional gap, which had prompted him to engage in a love affair that lead him to his death, leaving his broken family behind. Suddenly, a stranger appears in the village, a money-changer with which the mother had a love affair before her marriage, and the reason of his appearance is a loan he granted to the father before his death, and at the same time, he tries to regain the love of the old days. During the events the father appears as a ghost, especially before the eldest son, and tries to incite him against his mother and the money changer, as if what happened was a conspiracy between the two of them, and on the other hand, we see the ghost with his youngest daughter as a man who regrets what he’d committed. All that burden is bore by the widow, who suffers from her children and from the remnants of her husband and the social pressures, until the events of the play ends with the truth being revealed to the eldest son, and by his being fair to himself and his mother at the same time, and by letting go the ghost of the father, who was the reason of that insomnia the sun had suffered from for a long time.</p>
<p align=&#34;justify&#34;>Language: Arabic</p>
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